March 12, 2010

Stuff I have been enjoying (a freaken lot)

So in the last week I have read some stuff, seen some presentations, and visited some sites that I have really loved, so here they are to share:

Trollcats (this will take my power point slides to a whole NEW level) and here is one for all the free software geeks, in particular.

I finally read Manuela Carneiro da Cunha fantastic Prickly Paradigm press book “Culture” and Culture: Traditional Knowledge and Intellectual Rights. If you don’t know jack about the thorny issues around indigenous knowledge an IPR, the first 2/3 provides a pretty darn good introduction rooted not only in an explanation of trade treaties, the limited repertoire available for indigenous groups to politically respond, but a great story about a specific frog that secretes a sticky film that basically F’s you up (if you let it seep in your open wounds). It is entertaining. The last 1/3 takes a far more theoretical turn and will be harder to understand for novices (it helps if you have like at least a BA, possibly MA in anthro, best if you have a PhD from her academic home, U of Chicago). It is there where she discusses the relationship between culture as “reflexive” (hey, peoples of the world, we have x, y, c culture) as lived unreflexively (the unconscious plane of norms that helps guide perception and action). I loved her theoretical somersaults whereby she explained how contradictions between the two are experienced as anything but a contradiction.

Ok so today I went to this conference Radars and Fences III (where I presented my anon/scientology talk for the first time 3 years ago!). I was not able to stay the whole day but I saw Ricardo Dominguez & Amy Sara Carroll from the Electronic Disturbance Theater present on the Transborder Immigrant Tool, which I knew about but did not know how infused it was in poetry, poetry that is, in fact, an integral part of its arsenal. Their presentation was fantastic and it reminds me the great political work being done at the interface of art and technology (and believe me, these 2 are rabble rousers. UCSD, who helped fund the project, are not all that happy they did and they also get not hate mail they get but the HATE mail).

Then I saw Laila El Haddad & Mushon Zer-Aviv present on an amazing project You are Not Here which is a bit hard to explain briefly but I will try (and their site introduces it as “an urban tourism mash-up. It takes place in the streets of one city and invites participants to become meta-tourists of another city.”

So basically there are two interlinked sites (NYC and Baghdad and Tel Aviv and Gaza) where you can be a tourist (though the physical place to follow the symbols are only in NYC and Tel Aviv). You need a map. You get a map. The map, once put up to the light shows two cities/places with symbols that indicate a special spot on the map. You find the physical spot, there is sticker or other sign with a phone number, you call, and you hear a story not about NYC or Tel Aviv (where you would physically go) but about Baghdad or Gaza and a story that pertains to the area of the map that overlaps where you are in NYC or Tel Aviv. We saw a bunch of examples and they were riveting and powerful.

February 10, 2009

New Media Practices in International Contexts

Category: Academic,New Media — Biella @ 3:13 pm

In the next 11 months, I will be spending a significant amount of brain power and time writing a fairly long review article on digital media and ethnography which will assess the state of the literature and various trends. Since my expertise certainly lies in the west or global questions. I will be immersing myself in the literature that looks at various international, national, and regional contexts, which is exciting. It is nice to leave the well trodden path and venture into new lands.

There is a handy new site related to this topic, which some of you might be interested in: New Media Practices in International Contexts Blog Series. The entries are less blog-like and more article-like but that is was makes them great resources.